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N°21 Fashion Show SS 2019 Milan

N21© Copyright 2018

Sensuality, physicality, carnality as natural elements of bodily expression. Color, warmth, nature as physical elements of territories and locations. All set in an exotic atmosphere complete with what that entails: temperatures, inclinations, lights, variables. The N21 spring/summer 2019 men’s collection talks about a desire for physicality, a delicate sensuality in the rediscovery of a body where real life gets naturally away from the conditioning of virtual culture.

«I started from a desire for light and warmth, to rediscover the body’s natural physicality. I envisioned a Cuba consisting of sunsets, colors, cocktails and palm trees. A simple, relaxed attitude able to bring the male body back to a natural condition, using classic wardrobe staples given a twist by adding diverse elements,» says N21 founder/creative director Alessandro Dell’Acqua.

Sensuality. The transparency of quilted trench coats in vivid PVC is ofset by shorts in the same material worn over boxers in cotton fabric, as in the collars overlaying the collars of shirts and overcoats. The sense of physicality comes through in the sleeveless henleys and other shirts, in the low-cut one-sleeve sweaters, in the classic unbuttoned shirts worn under jackets classic of cut, in the white or stripe poplin short shorts, and also in the more classic gray kid mohair shorts worn always with white sandals and nude kneesocks.

Color. A desire for freedom is what infltrates both the bright red hue of PVC and the white & black toile de jouy with original pineapple, cocktail, palm-tree designs. Likewise, it’s there in the penetrating light of the sunset prints on shirts and sweaters; yet also in the small photos inserted in the clear PVC chest pockets of shirts, or printed on the back of coats and jackets, on the nylon pouch bags, rucksacks and totes, on the PVC envelope bags and on tote bags in various sizes.

Warmth. It’s there in the sensual mood of the material mixes, as in the coats and cabans in vivid leather or cotton with quilted tech nylon back, or in a combo of kid mohair and poplin. But a sensual sense of warmth comes through equally in the classic-cut jacket & pant outfts in kid mohair, and in the jacquard sweaters with palm- tree, surf and speeding-car designs. Or, lastly, in the photographic prints of night taxis forming the surface of shirts.

N21 and Stutterheim: a collaboration. The collection includes the raincoats that Alexander Stutterheim, inspired by classic northern fsherman slickers, launched in Stockholm in 2010. To honor and personalize this collaboration, white stripes were inserted signage style in place of seams. Prints of images from the N21 backstage were also added.


N°21 Fashion Show SS 2019
SS 2019 N°21 Fashion Show
Model Fashion Show N°21
SS 2019 Fashion Show N°21
Spring 2019 Menswear N°21
Summer 2019 Fashion Trends N°21

Mon, July 2 2018 » Fashion Blog » No Comments


Versace Fashion Show SS 2019 Milan
Versace Fashion Show SS 2019


It’s Versace and HE knows it!

“Inspiration” is a word of yesterday, because what is relevant today won’t be tomorrow. This collection was born from the different emotions I felt in different moments during the creation process. What I put on the runway was inspired by many different kinds of men: the street-style star, the high fashion man, the boardroom executive. I conceived these clothes thinking that each of them could find something that perfectly fits his personal style. These are men who do not care about the rules and that is exactly what I love: they have an opinion and make their own style choices.”
Donatella Versace

High on life, high on the very meaning of being Versace. The Versace man is not ordinary, but rather, he is looked at, talked about, and always turning heads. He expresses himself through his clothes without holding back, his movement always effortlessly powerful, while pushing every boundary and never letting go of his sense of humour.

The Spring Summer collection plays with the perception of sensuality in a masculine context, so relevant that it can’t help but be gossiped about, from the tabloids to the streets.

HE’S BRINGING SEXY BACK – in the office, out on the town, back to his place. The clothes bring out his confidence and masculinity like never before. The business man meets his inner rock star; the street style star meets the skater guy – he is sensual, manly, contemporary, and ready to take risks that get people talking. A unique play on contrasts that defines him.

He is at ease with the ironic mix of lace, sheer, neon and floral print in a modern, masculine context. Traditional sartorial jackets are matched with baggy denim pants. The Tabloid print is a reminder of the celebrity culture we live in. The Icon shoulder bag is taken from the woman’s wardrobe and worn with printed silk pyjamas, faux python overcoats and black or white looks.

Sandals, classic shoes with iconic Medusa Head details, bucket hats and a new edition of the Chain Reaction sneaker stand out as the season’s accessories of choice. Nothing short of noticeable, the Versace man is the centre of all the attention. Because when a man wears Versace, the world talks.


SS 2019 Versace Fashion Show
Model Fashion Show Versace
Woman SS 2019 Fashion Show Versace
Spring 2019 Menswear Versace
Woman Summer 2019 Fashion Trends Versace

Thu, June 28 2018 » Fashion Blog » No Comments


Backstage Ermenegildo Zegna Couture Fashion Show 2018 Milan
Backstage Ermenegildo Zegna Couture Model Man
Backstage Ermenegildo Zegna Couture Models 2019
Models Backstage Ermenegildo Zegna Couture Spring Summer 2019 Men's Collection Milan Fashion Week
Fashion Model Backstage Ermenegildo Zegna Couture Spring Summer 2019 Collection
Backstage Ermenegildo Zegna Couture Model 2019
Backstage Ermenegildo Zegna Couture Spring Summer 2019

Thu, June 28 2018 » Fashion Blog » No Comments


Ermenegildo Zegna Couture Fashion Show SS 2019 Milan
Ermenegildo Zegna Couture Fashion Show SS 2019



A narrow catwalk runs in the distance between the pools facing the Oscar Niemeyer building which houses the Mondadori headquarters. This remarkable piece of architecture looks once monumental and immaterial, as if suspended, acting as a telling backdrop for a collection that marries sharpness and functional ease with a pervading sense of lightness.

Alessandro Sartori keeps perfecting his vision of the contemporary metropolitan wardrobe, fusing the performance and speed of sports with the refinement, attention to detail and precious fabrications of couture tailoring. Turning the atelier into a lab yet keeping the humanity and warmth of craft, he devises new species of clothing: sartorial breeds stemming from the seamless morphing of opposite worlds.

This season Zegna challenges technique and image even more. The silhouettes are capacious and airy, the mix of elements bold and personal. Shirts and jackets collide in hybrid forms, with an oversize fit, experimental collars and playful double sleeves. Bombers and anoraks are matched with tailored high-waisted double pleat trousers, completely rewriting the template of the suit. Parkas both long and short gain the airiness of a shirt. Degradè checks and souvenir prints add rhythm, while perforation and meshes provide an even airier feel of immateriality. Knitwear is a building block for inventive layering. In keeping with the morphing of categories, sneakers and sandals marry opanka constructions with the technical details and meshes of sport style, all of it on bold soles.

The juxtaposition and addition of elements is enhanced by the color palette which places side by side shades and nuances in variations of intensity. The amalgamation of pale blue, Tropea pink, bow green, desert, sunflower yellow, mocha, nautical blue and loganberry red is painterly and individual.

Fabrics merge the technical with the refined: Century Cashmere with a waterproof membrane; textured Tussah silk produced by Lanificio Zegna using yarns obtained from wild, natural sources; blends of silk and cotton, cotton-linen satin, tumbled wool, perforated or embossed baby-calf, mesh.

“Creation for me always stems from a technical challenge. I am presenting shapes that are bold and voluminous, yet very light, in layers of meshes, wools, silks.” says Zegna artistic director Alessandro Sartori “I found the same challenge in the architecture of this space. It is the perfect place to unleash the Zegna crew of individuals who recognize themselves in the XXX logo, which runs from the clothes to the set-up, unifying the message: a symbol of couture craft that is also the most personal and unexpected expression of Zegna”.


SS 2019 Ermenegildo Zegna Couture Fashion Show
Model Fashion Show Ermenegildo Zegna Couture
SS 2019 Fashion Show Ermenegildo Zegna Couture
Spring 2019 Menswear Ermenegildo Zegna Couture
Summer 2019 Fashion Trends Ermenegildo Zegna Couture

Thu, June 28 2018 » Fashion Blog » No Comments


Backstage Moschino Models Los Angeles SS 2019
Backstage Moschino Model
Fashion Model Moschino Backstage 2018
Model Backstage Moschino Womenswear
2018 Model Backstage Moschino
Backstage Moschino Woman Model 2018

Sat, June 23 2018 » Fashion Blog » No Comments


Moschino Spring Summer 2019 Menswear and Women's Resort Collection
Moschino Spring Summer 2019 Menswear and Women's Resort Collection Look 1 Los Angeles



Ladies and Gentlemen! Boys and Girls! Children of all ages! Welcome to the most spectacular, most fascinating, most incredible… Mos[t]-chino Show! Trapeze artists, acrobats, popcorn, cotton candy, unicycles and clowns. Moschino’s Creative Director Jeremy Scott is reaching into the circus of today’s events and pulling a rabbit out of a hat – or rather, a tiger.

This season is Moschino’s answer to the current state of affairs. From peony-pink ruched tulle dresses with giant multi-colored daisy appliques, to harlequin Lurex brocade suits, silk georgette gowns with floral appliques outlined in tiny crystals, tiny round paillettes mirrors dotting a floor-length black gown.

The message is a cinematic bow to the accusations, the scandal, the “news” of today. Scott asks us to step into the Moschino house of mirrors with him as he breathes joy, levity and life into the uncertainty. However, this collection is acutely aware of the act from which it must distract. There is a darker side to the mirth and frivolity.

A literal dove-covered bodysuit is juxtaposed by gold cord soutache embroidery shaped in the outline of a skeleton is a key thematic element on tuxedo suits, tracksuits and jumpsuits. Blood-red beaded embroidery over a nude tulle gown creates a visually “slashed” and “torn” illusion beneath an operatic ruched tulle overcoat.

Carefully sewn metallic bugle beads hang from colorful polka dots on a white gown looking like an illusion of dripping paint, unfinished and abandoned. The message is clear – amidst the adversity, there is hope. This is communicated in the vibrant metallic trinkets stitched into quilted black tulle – just slightly obscured but dazzling in its own right.

A superhero bodysuit beneath a literal red satin cape, a lion tamer tuxedo in a beaded sequin leopard pattern – lean into the unknown, embrace it, become fearlessness itself. When society feels like a tightrope walker leaning in the wind, Scott is here to entertain astonish and impress. So step right up, admit one, run away with the circus and … let the show begin!


Moschino Spring Summer 2019 Menswear and Women's Resort Collection Look 2 Los Angeles
Moschino Spring Summer 2019 Menswear and Women's Resort Collection Look 3 Los Angeles
Moschino Spring Summer 2019 Menswear and Women's Resort Collection Look 4 Los Angeles
Moschino Spring Summer 2019 Menswear and Women's Resort Collection Look 5 Los Angeles
Moschino Spring Summer 2019 Menswear and Women's Resort Collection Look 6 Los Angeles

Thu, June 21 2018 » Fashion Blog » No Comments


Moschino Spring Summer 2019 Menswear and Womens Resort Collection Fashion Show Live Streaming Los Angeles

Moschino Spring Summer 2019 Menswear and Womens Resort Collection Fashion Show Live Streaming

Watch the Moschino Spring Summer 2019 Menswear and Women’s Resort Collection Fashion Show in Live Streaming – Los Angeles 8th June 2018 7.30 PM PDT. Stay Tuned…!!!

Thu, June 7 2018 » Fashion Blog » No Comments


Chanel Cruise Collection 2018-19

Chanel© Copyright 2018



More than just a tradition, setting out on a journey for the Cruise collection is a highly anticipated rendezvous. It’s the guarantee of a change of scenery, of beaches, of beauty and discovering a place, an era, an art de vie.

When Gabrielle Chanel presented a small collection at the end of Fall 1919, intended for holiday resorts and Biarritz in particular, did she have any idea she was initiating a brand-new fashion movement? Did she know she was bringing forth the first ever Cruise Collection? American Vogue sensed the thrill, revealing in its November edition that year, that the couturier’s designs, although « do not differ particularly from those which she exhibited last year », they formed a collection that « differs entirely from anything else shown in Paris at the same time. »

Lighter, imperatively more comfortable, these unlined designs in jersey and these sweaters were ideal for yachting, spa towns, seaside resorts, and sun-drenched destinations like the Riviera and Venice with its Lido beaches. Six years earlier, in Deauville, she had launched outfits inspired by sailor suits, that she revisited in woollen jersey, then in silk jersey. They were as soft as they were fluid, practical to wear daily without ever loosing that established CHANEL allure. From sailor to cruise ship, there was but one step.

Chanel pushed ever further the cursor of this small line judiciously wedged between two seasons. Responding to her own needs, she added suits and evening dresses for holidays and luxury cruise ships, then very fashionable for a life «of destinations», one that pierced the cold months of a Parisian winter with rays of sunshine. An originality revealed by Harper’s Bazaar in December 1933 in an article about «Cruise clothes», and then again by L’Officiel de la Mode in December 1936, delighted to discover «a very complete mid-season collection» and that perfectly illustrated the unique concept of Gabrielle Chanel’s fashion.

To never be like anyone else, to swim against the current, to make her own desires and lifestyle her principal source of inspiration, this was what guided Mademoiselle Chanel in her creativity. A sea lover, she sailed at length on the yachts belonging to the Duke of Westminster, the Flying Cloud and the Cutty Sark. It was while docking in Monte-Carlo on the Flying Cloud, that she discovered the village of Roquebrune-Cap-Martin and fell for the charm of a domain which from 1928 would be home to her property La Pausa. It was on this same boat that she met architect Robert Streitz, to whom she entrusted all the work on her Provençal residence.

Irreverent with her tomboy style, Gabrielle Chanel was occasionally seen on the deck of these boats heckling with Bendor, as the Duke of Westminster was nicknamed, sporting Bermuda shorts or wide-cut men’s trousers and a gilet that we today would call oversized. She was often seen basking in the sun, eyes shaded by her famous sunglasses. This woman who revelled in her freedom more than anything, felt what women would soon be dreaming of : a fashion for now and for the future, visionary in every detail. Gabrielle Chanel’s talent didn’t need to prove itself anymore.

And neither does Karl Lagerfeld’s. At a time when fashion had almost turned its back on the so-called cruise collections, the designer spun the ship’s wheel the other direction. As soon as he arrived at the helm in 1983, he breathed new life into this hyphen between two seasons and it has continued to grow, becoming one of the most important moments in the year. Is it just about slipping a few swimsuits and light dresses in-between two suits? Absolutely not! Responding to the needs of those who seek sunshine in the winter was not enough: Karl Lagerfeld thus transformed Cruisewear into a line that anticipates the warmer days to come, a completely renewed wardrobe, never stuck to the previous one or the one to come.

A collection in its own right, with its own story, its own identity, its own inspiration, quick to nourish desire and to brighten the gaze. A collection that embodies travelling in all its forms, real or imaginary, temporal or historic, and that he wanted to land all over the world, like a magnificent postcard: New York, Los Angeles, Miami, Venice, Saint-Tropez, the Cap d’Antibes, Singapore, Seoul, Cuba and even Versailles in the XVIII century and Paris, metamorphosed into the epicentre of Ancient Greece.

To dream, to let the imagination float away on a reinvented tweed, a diaphanous lace, a colorama imbued with sunshine, sublimate women in a little black dress… Isn’t that ultimately what fashion is all about? Is it not for this reason, among others, that CHANEL, is like no other and will always be CHANEL? It’s almost anchors away, so we wish you a bon voyage and a beautiful Cruise.


Chanel Cruise Collection 2018-19 Look 1 Paris
Chanel Cruise Collection 2018-19 Look 2 Paris
Chanel Cruise Collection 2018-19 Look 3 Paris
Chanel Cruise Collection 2018-19 Look 4 Paris
Chanel Cruise Collection 2018-19 Look 5 Paris
Chanel Cruise Collection 2018-19 Look 6 Paris

Thu, June 7 2018 » Fashion Blog » No Comments


Louis Vuitton Fashion Show FW 2018 Paris
Louis Vuitton Fashion Show FW 2018
FW 2018-19 Louis Vuitton Fashion Show
Model Fashion Show Louis Vuitton
FW 2018-19 Fashion Show Louis Vuitton
Fall 2018 Womenswear Louis Vuitton
Winter 2018 Fashion Trends Louis Vuitton

Fri, March 9 2018 » Fashion Blog » No Comments


Chanel Fashion Show FW 2018 Paris
Chanel Fashion Show FW 2018


A forest has grown beneath the nave of the Grand Palais. Surrounded by blue sky warmed by a gentle sun, trees stripped bare by the season and a floor covered with autumn leaves compose an Indian summer, as Karl Lagerfeld says.

Within this decor, a palette of russets, reds and orange, moss and pine green, bark brown, prints of foliage or rings of grey wood, accompany the signature black and white of the House. Details so dear to CHANEL add their own touch: branch-like braids, jewelled buttons chiselled with leaves, sautoirs of beads and pastel-hued glass paste, necklaces and bracelets interlaced with chains and beads, cabochon and graphic pendent earrings.

The tweed, classic, downy, frayed or woven, alternates with broadcloth, cotton canvas, soft knits, corduroy and velvet. Thigh boots, boots and brogues in oxide gold leather, pink leather fingerless gloves, faux fur cuffs encrusted with feathers, and big colourful scarves all warm this modern and comfortable silhouette. “Chanel, it’s life itself, clothes that have a possibility of life”, adds Karl Lagerfeld.

The long and tubular silhouette is held with square shoulders, clean and high collars. It flares out little by little with godets and peplums in the style of horizontal double ponchos. The iconic jacket is lengthened to mid-thigh or worn short at the waist. The CHANEL suit is twisted with poncho peplums. Long pencil-cut, straight or double-breasted coats accentuate the purity of line. Each time, this is reinforced with a game of topstitching in relief.

Sometimes the sleeves are doubled with a draping from the shoulder, extended with unlined cuffs. The pencil line of skirts and dresses is interrupted with a slit, a godet and a slightly dropped waist. The belted trousers adopt exaggerated volumes. Large overcoats skim the floor, twisting the spirit of great capes by adding sleeves with wide turnback cuffs or sometimes cuffs and hems finished with feathers.

The new bag, named 31, created by Karl Lagerfeld joins the family of CHANEL accessories: the generous shape of this shopper combines smooth leather with quilted leather, printed cotton canvas or tweed. Large bags in shearling gently traverse the winter. This season the 11.12 bag is adorned with rhinestoned bark motifs. CHANEL’s GABRIELLE bag returns as a mini version to match the outfits. The camellia is transformed into a sparkling evening bag while a wooden log becomes a minaudière in precious resin.

The collection calls upon winter in a sophistication pushed to the extreme for evening. At its heart, CHANEL’s little black dress reaches its ultimate, refined and most obvious expression. Fragile dresses in embroidered tulle and organza are worn beneath a quilted down jacket finished with braid. Leather comes encrusted with lace over a little black dress with draped sleeves and is back as trousers worn with a chiffon blouse highlighted by multiple ruffles at the elbows.

Chevroned ribbons encase sheath dresses or a jabot adorns the collar of a dress in pleated tulle. Crêpe blouses are quilted at the shoulder and the wrists. Lace and black velvet are barely powdered with silver, sequins are just as subtle, never flashy. Capes in faux fur enhanced with feathers envelop layers of dresses in lace. Playing with the transparency of the material, their leaf inlayed motifs reveal the very veins of the foliage like a filigree.

This is the grace of nature, strong yet fragile, constantly reborn in all its splendour and purity. A perpetual renouveau reminding us that time has no influence on the icons, the style and the allure of CHANEL.


FW 2018-19 Chanel Fashion Show
Model Fashion Show Chanel
FW 2018-19 Fashion Show Chanel
Fall 2018 Womenswear Chanel
Winter 2018 Fashion Trends Chanel

Fri, March 9 2018 » Fashion Blog » No Comments

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