For Autumn Winter 2020, Christopher Kane continues to orbit themes of sex and nature by considering the perversion of Adam and Eve in the Garden of Eden as a love triangle between man, woman and nature.
Wild with temptation, the lovers choose banishment from Paradise in exchange for one bite of forbidden fruit. Corrupted by their lust, they live in shame without the benevolence of the Divine Presence.
Since ancient times the triangle has symbolised the eye of a Supreme Being watching over the universe – an all powerful source in both the natural and unnatural world.
This narrative is translated literally with a print of Lucas Cranach the Elder’s Adam and Eve, through to a more abstract interpretation with triangular details dominating the collection. Minimalist bows, cut-outs, pockets, patchwork, A-line shapes and bodice construction all follow the triangle – nature’s strongest structure.
Gel returns as harnesses worn over coats and dresses, while suede winter boots are enhanced with gel implants and the signature Gel Bag takes on a conservative handbag shape that’s subverted with gel patches.
Snakeskin print shoes and bags are a serpentine presence with more animal accents from zebra and ocelot prints across skirts, dresses and coats. The palette is earthy with bursts of sky blue and apple red disrupting the tranquillity.
Recurring themes from cupcake silhouettes and G-string lace eveningwear to crystal mesh gowns mimic the clean lines of the triangle resulting in a new, austere feel.
Wed, February 19 2020 » Fashion Blog
For Spring Summer 20, Christopher Kane continues to explore and break down the taboos around desire.
Make Love with the Wind, Sleep with the Stars, Feel the Flowers… this season, the Ecosexual collection encourages us to become intimate with nature by indulging in earthly pleasures.
Mon, September 23 2019 » Fashion Blog
Sun, February 17 2019 » Fashion Blog
“I have never shied away from sex in the collections – and this one is no different,” says Christopher Kane. “Since the beginning, I have found it fundamental to our idea of women; women with their own power who create their own worlds and are in charge of them. We wanted to look at that in the collection, evolving it from last season; it’s less cheeky and more subversive, less an interior world and more an exterior view this time. It’s about s strength of character shown by the strength of the clothes. It all started with the illustrations from The Joy of Sex and More Joy of Sex, by Chris Foss and Charles Raymond. They’re both a textbook study and a sensuous display of line drawing, almost in ‘coffee table book’ form that’s both weird and really everyday. All of which always intrigues me.”
The power of clothing, both utilitarian and extravagant, is at the heart of the latest Christopher Kane collection. From cotton canvas coats to jewel-encrusted cage constructions; leather and lace; raw wools to regal crushed velvets. Each reflecting the interior strength of the Christopher Kane girl with an external display of power, here she appears at perhaps her most grown up.
Articulated, armour-like sleeves and rounded shouldered silhouettes, leather constructions and extravagant flocked, coated and embossed lace play with ideas of power and perversity, conflating periods of history. Eighties or Elizabethan, Forties or fundamentally now, essentially there is a search for something new.
Unafraid to play with sexuality, the collection comes to its conclusion with the line illustrations that inspired it all. With an almost sepia tint – one that travels throughout the collection in ‘valance’ floral prints, tough canvas and ecru lace – The More Joy dresses almost appear as marabou edged creations from a different time, something that Mrs Robinson might wear.
Once more intrigued by the utilitarian and the extravagant, a new collaboration appears in the form of shoes by Z-Coil orthopaedics. At once practical and echoing something more deeply historical, the shoes, like the collection itself, are at once.
Sat, February 24 2018 » Fashion Blog
Wed, March 29 2017 » Fashion Blog
In dedication to our mother, Christine Kane
“Everything I do essentially comes from drawing; it ultimately reflects how I feel,” says Christopher Kane. “I wanted a feeling of attraction and sensuality in the collection, something sexual but not grotesque – this is about love and art in life as well as fashion. We had a series of life drawing classes in the studio, with everybody in the team involved. It is all of our sketches combined that makes the ‘lovers lace’. It reflects that sense of togetherness; of male and female in an almost molecular and mechanical attraction, as well as a more classical sensuality –both feelings that I wanted to come across this season.”
The pull of attraction and the power of seduction infuse the current Christopher Kane collection. Opposites attract and sensuality is expressed both literally and metaphorically throughout –a combination of masculine and feminine, hard and soft, romantic and real. Altogether for Autumn-Winter, there is a notion of the desirability of desire.
Here, sumptuous fabrics in a rich ‘night-life’ colour palette form a foundation for experiments in silhouette and decoration, encouraging a notion of touching as well as looking this season. Unlikely combinations abound; high-shine chainmail is inset with stylised floral Swiss lace, tulle is printed with life-drawn figures in glitter, an ‘electric orgasm’ current is reflected in velvet flock while cascading forms elegantly fall apart and reveal flesh in a two tone ‘tonic velvet’. These experiments reach a form of consummation in the life-drawn ‘lovers lace’; figural drawings silhouetted in Swiss lace, entwine, build and in turn form themselves into new silhouettes, this time of clothing.
An element of the sensual is frequently played out against the scientific this season in a notion of molecular attraction. Accessories and fastenings are frequently ‘chromed’ and act as rounded protection on box calf bags and shoes as well as desirable decoration. Some are sexually slotted into place –like the signature safety buckle, that is a leitmotif throughout the collection and extends itself from fastenings to jewellery this season. While others simply feature as a reflecting, mirrored surface, seen in many of the leather treatments that abound for bags and shoes.
On February 20th 2015, Christopher and Tammy Kane’s beloved mother, Christine Kane, passed away after a sudden illness. In the light of such overwhelming and upsetting news, there will not be any access backstage today for greetings and interviews with Christopher Kane. The designer thanks everyone for their kindness, support and patience at this time. Thank you.
Wed, March 4 2015 » Fashion Blog