“Rose is a Rose is a Rose is a Rose” Gertrude Stein from her poem ‘Sacred Emily’ 1913. A rose as a person or an emblem of beauty, a power in delicacy. Snapshots of garden flowers in the Dries van Noten garden in October 2018 – their imperfections and blemishes stand uncorrected, their shadows cast on a hand-held background evident.
From German Expressionism to the sublimation of the mundane in the study of human attitude and gesture in the work of Pina Bausch. Prints are frank, avoiding whimsy, fancy and romance. Pure Lines, range from the manly and austere, feminine and couture, day to evening to and the swaddling to structured.
Evoking 1940′s and 50′s couture, men’s tailoring. Amplified forms, details and lines contrast with the precision of tailoring. All from the freer forms of voluminous quilting to precise and considered garment structures.
A spray of greys, graphite, slate, charcoal, metals, burnished to gleaming, pewter, petrol. Hues of distilled pastels, rose, citrus, powdery mauve, fawn, eau-de-nil, duck eg blue, neon orange, gold, oxblood, imperial yellow.
From diaphanous and veiling to structured and classic. Chiffon, pinstripes, felts, matt to shimmering, faux fur.
Photographs of flowers in Dries’ personal garden, October 2018, their imperfections and blemishes stand uncorrected, their shadows cast on a hand held background visible … 50 varieties of Rose, Salvia, 3 varieties of Delphinium, Acer Palmatum, Kniphofia Rooperi, 3 Varieties of Dahlia.
High boots, Lucite Heels, flower photographs, neon faux fur stoles, over size bags.’Big-eye’ sunglasses.
COLLABORATION ON STOCKINGS
Stockings developed with Fogal for this collection exclusive to Dries van Noten in shades of cassis, stone, wild berry and light blue.